By Willis Barnstone
Contributor note: Elli Tzalopoulou Barnstone (Illustrations), William E. McCulloh (Introduction)
Ancient Greek Lyrics collects Willis Barnstone's stylish translations of Greek lyric poetry--including the main entire Sappho in English, newly translated.
This quantity contains a consultant sampling of all of the major poets, from Archilochos, within the seventh century BCE, via Pindar and the opposite nice singers of the classical age, all the way down to the Hellenistic, Roman, and Byzantine sessions.
William E. McCulloh's advent illuminates the varieties and improvement of the Greek lyric whereas Barnstone presents a quick biographical and literary comic strip for every poet and provides a considerable creation to Sappho-- revised for this edition--complete with notes and resources. A thesaurus and up to date bibliography are incorporated.
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Extra info for Ancient Greek Lyrics (4th Edition)
Music was first established in Sparta by Terpandros. Plutarch, On Music The Spartans were fighting among themselves and sent to Lesbos for the musician Terpandros; he came and made their minds tranquil and stopped the quarrel. ” Suda Lexicon Hymn to Zeus Zeus, inceptor of all, of all things the commander, Zeus, I bring you this gift: the beginning of song. To Apollo and the Muses Let us pour a libation to the Muses, daughters of Memory, and to Leto’s son, their lord Apollo. Terpandros 23 Sparta The Muse sings brilliantly and spears of young men flower.
Archilochos 7 Shipwreck The vessel wavered on the cutting edge between the stormwinds and the waves. Prayer at Sea Often, when their vessel was threatened by the gray salty sea, they prayed to Athene of the lovely braids for sweet return. On Friends Lost at Sea If you irritate the wound, Perikles, no man in our city will enjoy the festivities. These men were washed under by the thudding seawaves, and the hearts in our chest are swollen with pain. Yet against this incurable misery, the gods give us the harsh medicine of endurance.
To approximate the easy conversational flow of many of the Greek poems, I have more often given a syllabic rather than an accentual regularity to the lines. An exception is the longer elegiac poem where the forceful dactyls seemed to call for a regular (though freefalling) beat in alternating lines of equal feet. 3 My intention has been to use a contemporary idiom, generally chaste, but colloquial as the occasion suggests. Until very recently, it has been a uniform practice to impose rhyme on poems translated from ancient Greek.